“It is true that animals are usually not able to participate in their liberation, but they behave differently when they are liberated and have better living conditions.”
— Speaking Beyond Language: Lin May Saeed Interviewed

Ad Minoliti

08 June - 24 September 2024
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Ad Minoliti is an Argentinean-born visual artist, activist and the co-founder of the feminist art collective PintorAs. In their painting installations, they draw on the repertoire of modernist art, popu­lar culture, queer aesthetics and feminist theory, using a language that referenc­es abstract, geometrical architectural forms. The artist’s works often depict utopian, trans-human, gender-queer alternative universes, while emphasising the shared elements of human experi­ence. Their delightful visions frequently include human and animal figures. In a series of colouring books, animals inhabit human habitats. 

Their new creation for this exhibition, Nature is Queer – Tribute to Lin May Saeed (2024), depicts a landscape inhabited by humans and non-human animals. The style is characteristical­ly abstract and geometrical, but the black-and-white painting resembles a shadow landscape, in a break with the eye-catching colours of previous pro­jects. The painting is exhibited next to the Sonic Room, implying that it may also relate to the poetic idea of the music score. 

© image: M HKA, 2024


Exhibited work:
Nature is Queer – Tribute to Lin May Saeed –, 2024
Courtesy Peres Projects